Promoting Arabic Music, Art, Literature and Culture

Aswat Ensemble

Aswat Concert: Music & Folk Dance from the Arab World MAY 8

Save the date! Let Aswat take you on a breathtaking musical odyssey through the Arab World for one night.  Under the direction of Moroccan virtuoso Rachid Halihal, listen to a dazzling repertoire that features the rich textures and flavors of Andalusian, Egyptian, Khaliji, Lebanese, North African, Palestinian, and Yemeni music performed by an amazingly diverse ensemble united by their love of Arabic music. The night’s special guest is Lebanese artist May Nasr whose music has rapidly gained an international following with its message of peace ensconced in cool, plaintive vocals and guitar. Tickets are available on brownpapertickets.com.


Aswat at the de Young JAN 29th

ASWAT at the deYoung

Aswat welcomes the new year with a FREE concert!

Date: Friday, January 29th, 2010
Time:  6:30 p.m.
The concert is a musical complement to the exhibit on Tutankhamun and the Golden Age of the Pharaohs, and will showcase the Egyptian influences of North African Music.  Directed by Moroccan virtuoso Rachid Halihal who brings with him the classical Egyptian repertoire, the concert is also part of the Cultural Encounters at the de Young and Friday Nights at the de Young.

ASWAT Brings You North African Music in 2010

Rachid Halihal

Rachid Halihal

 In 2010, ASWAT will venture into the musical territory of North Africa under the direction of Rachid Halihal, Moroccan virtuoso. Rachid studied Western classical and Andalus music at the Conservatory of Music in Fez, Morocco.  In addition to his voice, which is best featured in the Andalus style, his strongest instruments are the oud and the violin, which he plays in both the classical manner and upright- resting on the knee for Moroccan folkloric music. Rachid has performed internationally to diverse audiences, and is looking forward to working with ASWAT to serenade the Bay Area with North African-flavored Arabic Music.

The Bay Area’s first taste of Aswat under the direction of Halihal, who brings with him the classical Egyptian repertoire, will be at the de Young Museum on Friday, January 29, 2010 as part of the Cultural Encounters at the de Young and Friday Nights at the de Young.  Aswat will be performing as a musical complement to the exhibit on Tutankhamun and the Golden Age of the Pharaohs, and will showcase the Egyptian influences of North African music.

Friday Nights at the de Young is free and open to all, unless otherwise noted.  For more details, please visit de Young’s online event calendar.


Aswat Youth Session II Enrollment Ongoing

aswat youth

Zawaya and the Arab Cultural Center of the Silicon Valley present Aswat Youth Ensemble classes for the Fall ‘09 / Winter ‘10 Season under the direction of Aswat Ensemble musician, Dr. Guilnard Moufarrej.  Classes for Session II (January – February 2010) start on Saturday, January 9, 2010 in San Jose.  Private lessons in percussion, ‘oud, violin, and nay are also offered.  Classes are open to children ages 5 – 18 years old.   Aswat Youth Ensemble will be featured in concert on March 2010. To enroll, please fill out the registration form and submit to Zawaya with payment.  We are accepting applications now.


Coming Soon: Aswat Performance at ReOrient Forum

reorient

Experience the romance and magic of Arabic music with ASWAT in concert at Theater Artaud as part of Golden Thread’s ReOrient Forum.

The concert is on Saturday, December 5, 2009 at 4:00 p.m at 450 Florida Street, San Francisco.  For more details, please visit http://www.goldenthread.org/reforum.htm

Tickets are available at Brownpapertickets.reorient 2


Aswat Performance at SF City Hall a Success

www.arabheritagesf.com

www.arabheritagesf.com

Hosted by the Office of Mayor Gavin Newsom, Aswat performed at the proclamation of San Francisco’s Arab Heritage Month at SF City Hall.  With the direction of Guest Musical Director Michael Ibrahim, the Aswat ensemble performed Adduka al-Mayyas, Bil-ladhi Askarra, ‘Ala Baladi al-Mahbub, Tayr al-Wirwar, and Ya Asmar il-lon infront of a crowd of around 600 invited guests.


Aswat Performance at Korematsu Institute on Nov 7

korematsuAswat to perfom at Eid Diwali Party on November 7th


Don’t Miss Upcoming Aswat Performances

Arab Heritage Month Poster taken from http://www.arabheritagesf.com/

Arab Heritage Month Poster taken from http://www.arabheritagesf.com/

In October, see ASWAT perform at the Proclamation Ceremony and Reception of the City and County of San Francisco’s first Arab Heritage Month hosted by The Office of Mayor Gavin Newsom. 

Save the date!  Thursday, October 8th, 2009 at 5:00 p.m. at the Rotunda at San Francisco City Hall. 

Visit www.arabheritagesf.com for more details.

 

 

 

 

 

 

 

 

 

 

 

 

 

Golden Thread's ReOrient Forum

Golden Thread's ReOrient Forum. Photo taken from www.goldenthread.org

In December, ASWAT will perform at Theater Artaud as part of Golden Thread’s ReOrient Forum

The concert is on Saturday, December 5, 2009 at 4:00 p.m at 450 Florida Street, San Francisco.  For more details, please visit http://www.goldenthread.org/reforum.htm

See you there!


Now Accepting Applications for Aswat Youth Ensemble Fall ‘09 – Winter ‘10 Session

Members of Aswat Youth Ensemble of Summer 2009 Session

Aswat Youth Ensemble members of Summer 2009 Session

Zawaya and the Arab Cultural Center of the Silicon Valley present Aswat Youth Ensemble classes for the Fall ‘09 / Winter ‘10 Season under the direction of Aswat Ensemble musician, Dr. Guilnard Moufarrej.  Classes start on Saturday, October 17th, 2009 in San Jose.  Private lessons in percussion, ‘oud, violin, and nay are also offered.  Classes are open to children ages 5 – 18 years old.   Aswat Youth Ensemble will be featured in concert on March 2010. To enroll, please fill out the registration form and submit to Zawaya with payment.  We are accepting applications now.


Arabic & Iranian Music & Folkloric Dance

Aswat Youth Ensemble

Aswat Youth Ensemble

Title: A Matinee of Arabic and Iranian Music and Folkloric Dance
Start Time: 3:00pm
Date: Sunday, June 21st, 2009
Location: Foothill College Theater
12345 El Monte Road,
Los Altos, California 94022

Aswat Ensemble, conducted by Wael Kakish, will perform A Matinee of Arabic & Iranian Music & Folkloric Dance starting at 3 p.m. on Sunday, June 21th, 2009 at the Foothill College Theater, 12345 El Monte Road, Los Altos, California 94022

Mohammad Nejad

Mohammad Nejad

Guest Artist:
Iranian Virtuoso Mohammed Nejad and his Iranian Music Ensemble

Featuring:
Siamak Pouian- Persian percussionist
Asghar Yousefi-Classical Persian singer with ASWAT ensemble
Aswat Youth Ensemble
Directed by Guilnard Moufarrej

Purchase Tickets online from Brown Paper Tickets starting May 5th, 2009

Ticket Prices
Support $100
Preferred $40
General $20
Student/ Youth/ Seniors $15

Students and senior citizens, please purchase the $20.00 advance ticket. You may receive a $5.00 refund by presenting ID at the door.


View Larger Map

Aswat Ensemble

Instrumentalists:
Abdoul Hamid Banaei (Violin)
Kristina BenArab (‘Oud)
Hector Bezanis (Nay, Mijwiz)
Loay Dahbour (Percussion)
Mina Girgis (Violin)
Amina Goodyear (Percussion)
Gregory Hamburg (‘Oud)
Sandy Hollister (Percussion)
Saeed Karbassi (Guitar)
Bashar Kellow (‘Oud)
Sarah Michael (Qanun)
Sara Salzmann Mohan (Violin)
Guilnard Moufarrej (Qanun)
Angela Ramsey (Violin)
Husain Resan (Violin)
Steven Sparapani (Cello)
Amro Younes (Guitar)
 
Vocalists:
Muhammad Arrabi
Wael Behaissy
Lina Del Roble
Nadia Fattah
Hala Fauzi
Danny Fryer
Nadine Jahchan
Ayman Kozman
Marwan Mero
Rana Mroue
Jose-Antonio Nasser
Dilek Seren
Lily Storm
Christine Stouffer
Gunsu Temirer


A Night of Arabic & Iranian Music

Aswat Ensemble

Aswat Ensemble

Title: A Night of Arabic & Iranian Music
Start Time: 7:00 pm
Date: Saturday June 20, 2009
Location: McKenna Theater‎, Creative Arts Bldg
1756 Holloway Ave
San Francisco, CA 94132
(415) 338-2467
Guest Artist: Iranian Virtuoso Mohammed Nejad and his Iranian Music Ensemble.

Aswat Ensemble, conducted by Wael Kakish, will perform A Night of Arabic & Iranian Music starting at 7pm on Saturday, June 20th, 2009 at the Mckenna Theater in the Creative Arts building at San Francisco State University, 1756 Holloway Ave San Francisco, CA 94132.

Mohamed Nejad

Mohamed Nejad

Purchase Tickets online from Brown Paper Tickets starting May 5th, 2009

Ticket Prices
Support $100
Preferred $40
General $20
Student/ Youth/ Seniors $15

Students and senior citizens, please purchase the $20.00 advance ticket. You may receive a $5.00 refund by presenting ID at the door.

View Larger Map

Aswat Ensemble


Instrumentalists:
Abdoul Hamid Banaei (Violin)
Kristina BenArab (‘Oud)
Hector Bezanis (Nay, Mijwiz)
Loay Dahbour (Percussion)
Mina Girgis (Violin)
Amina Goodyear (Percussion)
Gregory Hamburg (‘Oud)
Sandy Hollister (Percussion)
Saeed Karbassi (Guitar)
Bashar Kellow (‘Oud)
Sarah Michael (Qanun)
Sara Salzmann Mohan (Violin)
Guilnard Moufarrej (Qanun)
Angela Ramsey (Violin)
Husain Resan (Violin)
Steven Sparapani (Cello)
Amro Younes (Guitar)
 
 Vocalists:
Muhammad Arrabi
Wael Behaissy
Lina Del Roble
Nadia Fattah
Hala Fauzi
Danny Fryer
Nadine Jahchan
Ayman Kozman
Marwan Mero
Rana Mroue
Jose-Antonio Nasser
Dilek Seren
Lily Storm
Christine Stouffer
Gunsu Temirer


Aswat Ensemble

ASWAT

ASWAT

ASWAT Ensemble was founded in the Bay Area in January 2000. Founder Nabila Mango, a Palestinian American cultural activist, has been selflessly dedicated to ASWAT since its inception and, through years of hard work and tireless dedication, has brought together a family of musical ambassadors supportive of her deep love of Arabic music.

In just eight years, ASWAT has transformed itself from an informal community choir to a professional performing group selling out concerts at each of its biannual performances. Born simply from the desire to sing, ASWAT has become an anchor in the Bay Area Arab American musical scene.

The very act of singing itself preserves musical legacies dating back thousands of years, and celebrates songs that express the essential soul of Arab culture. ASWAT’s growth is itself an accomplishment, taking place in the shadow of hate crimes and mounting hostilities aimed at Arabs and Muslims following the 911 tragedy.

ASWAT has enabled musicians to learn and expand their knowl edge of Arabic classical and folk music. It is a forum in which both Arab and American musicians alike form bonds with each other through a shared experience. For the Arab-American ASWAT members, the group is an affirmative collective where they can experience their culture as a living thing that not only brings them pride but serves as a conduit for inviting others to appreciate their often maligned and misunderstood heritage.

ASWAT welcomes anyone who is interested or even curious about Arabic music to learn more by contacting ASWAT at: join@zawaya.org or nabila@zawaya.org.


Nabila Mango: Founder and Director
Jose-Antonio Nasser: Internet Administrator
Danny Fryer and Nabila Mango: Arabic Language Teachers

zawayagroup6939fi

Aswat Ensemble

About the Music and the Instruments

Aswat Ensemble performs classical and folk songs from various Arab countries. The ensemble plays traditional musical instruments such as the qanun (trapezoidal zither), ‘ud (lute), nay (reed flute), Kaman (violin), riqq/daff (tambourine), tar and darbukkah/tablah (goblet drum). The program features a number of songs using different maqamat (modes). The performance includes muwashsha hat, and songs of major artists in Egypt and Lebanon of the 19th and 20th centuries such as Fairuz, Abdel Halim Hafiz, Abdel Wahab, Um Kulthum. The ensemble also performs folk songs from Syria, Palestine, Jordan, Iraq, and the Arabian Gulf.

GLOSSARY
Debke – linedancing in Jordan, Lebanon, Palestine and Syria.

Darbukkah – goblet shape hand drum
Maqam (maqamat) – mode; an Arab system of pitch or ganization that allows for the construction of melodies and improvisation (taqseem) within a scale.

Muwashshah – a “postclassical” singing form not rigidly governed by the qasidah, originated in the Middle East, and integrated into the music of AlAndalus in the 10th Century

Qad Halabi – a folkloric song based on the melody of an other regional folk song, especially Turkish or unknown older Arabic songs.

Qadim – old (unknown composer)

Qasidah – a poem set to music consisting of 1025 or more lines of poetry Riqq – fish skin tambourine Taqsim – nonmetric improvisation played in a maqam

‘Ud – Arabic style fretless lute


Viewers Write about 2009 Concerts

_dsc5004Dear Nabila,
I wanted to express how impressed and grateful I was to attend the Aswat concert at San Francisco State University. I was so excited to go but had no idea what to expect. As I sat there in the audience, I thought, ‘everyone should see this!’ As a non-Arab, so many questions flooded my mind. I wanted to know why the singing was put through a filter effect (?) with some of the men or with everyone. The mens’ voices were hauntingly beautiful: the singers’ voices and talent reached my soul. I just felt happy, alive and grateful listening to it all.

I wondered why the music resonated with me so deeply as I have no other connection to the culture than just loving the music and dance. I don’t even understand the words but am left transported anyway. I wondered about the history of the pieces and about the instruments and the music schools, the method of instruction…

When the Persian group came out to perform I also had no idea what to expect and my date and I were left speechless and breathless. Siamak was so amazing! It was the first time I thought of human fingers as instruments in their own right! I bought a CD of his and of Aswat’s and played them for my friends and roommates and blabbed on an on about how amazing the concert was. They were amazed at what they heard.

I’ve still been wondering how I can get more of my friends and colleages who may never have heard middle-eastern music to see this concert. I also cannot forget the girl who spoke parts of her song. It was the first time I’d heard the language like that, like it was music. I think she was speaking Farsi. I lived with an Iranian girl years ago who spoke Farsi but I’d never heard the language sound like that. Whatever she was speaking was so captivating it made me want to listen her tell a story or recite poetry just like that for hours. My date and I were leaning forward in our seats the whole time she was up there to get closer to it! That was what I guess I was left wanting, a desire to somehow get closer to the music.

I was grateful to be able to see such a show and to experience such exceptional talent. It wasn’t commercial so it felt more accessible, more real. I thought that if people heard these sounds and saw this talent it would break down many misunderstandings between cultures. I couldn’t believe I could see something like that at SFSU and I just wished the group could be presenting in several locations with bigger audiences around the States!

I am still filled with inspiration from the concert and thank you, Nabila, for all your belief and hard work to bring this exceptional group together. I would be honored to help find another venue for a similar concert to take place. I want my friends to get to see something this fresh and magnificent. It would be different for them, uplifting and broadening.

I thank you and all of your performers and supporters for helping to make the concert a reality. I can’t WAIT to hear about new and upcoming performances! Once again, please extend my utmost gratitude and appreciation to the entire Aswat Ensemble.

In gratitude,
Allison Kenny

Dear Ms. Mango: I attended this Aswat’s Winter Concert at Skyline College on the 24th of January, and could not have been more impressed with the organization, content and quality of the musicians. There were 4 members of my group, who were also pleased and impressed with the concert. The time passed too quickly, and then it was finished! We could have stayed another hour. I must also tell you that bringing people together from all parts of the Middle East and the United States to play this beautiful music unites us all in common beauty of the music in our lives. Playing music together and listening to it tends to unite us on the better side of our humanity. Hopefully, the negative stereotypes of Arabic Peoples by some Americans will be reduced with the music from the Arabic heart. It’s important to show more than just one dimension of ones culture, and Aswat’s Winter Concert certainly accomplished this goal! Thank you. Thank you. Thank you. Grazie! -Angelo D. Izzo Prof. of American History

Dearest Haya, Pardon me for answering so very late to your so very kind and loving praise when, in fact, I was having a perfectly wonderful time, as usual ! You are the one who must be thanked for your enormous patience and grace! If I may suggest 2 things:While I helped Ercan & the other volunteers at the intermission, the cookies & candies sold like the proverbial hot cakes & we could not take the money fast enough!  Would you like me to help organize those folks who can & like to bake, to bring home made goodies to sell next time? By the looks of it,it should be a great money making gig,and I will be happy to deal with it. Also I wonder if it would be appropriate for me to donate some of the jewelry, keychains etc I make ( they have north african & middle eastern motifs) to sell with the cds & books ? Let me know & I’ll get it all together Inshallah ! The friends I brought to this, yet again marvelous concert, are still taking about it. Soon we’ll need a bigger venue!!! Much love to you Habibti & a million thanks to  all the musicians & volunteers for their fabulous effort. -Amal Crespo

Dear Nabila, ASWAT production was fantastic – Congratulations! Um Kalthoom and the director were amazing. When is your next ASWAT concert?
-Sam HADDAD

Dear Nabila,  I attended Aswat’s performance last Saturday and since then I have been meaning to write and thank you and all those that are involved in putting such a beautiful and wonderful performance. Aswat truly flourished under your directions.  Since 2000 I have attended many of Aswat’s performances and by far Last Saturday’s performance was the best and most enjoyable that I have seen.  It is the first time I have attended an Arabic music concert that had a formal conductor.  Mr. Sari Dowidar is talented in many ways and added very much to the concert.  The concert was well organized and I was happy to see that it was also well attended.  Even the program exceeded my expectations and it was wonderful to see the Arabic writing and followed by the English translations.  It was a wonderful evening that I will always remember.  I thank you all and wish continuous success in the years to come.
-Bader

Nabila, I think it was my favorite ASWAT concert so far last Saturday. The musical director really did a bang up job. My parents loved it as well. They left with big grins on their faces!
-ANDREW ROTH

Hi Nabila,  Ya3teeky alf 3afyeh, the concert was wonderful, great, I loved it.
-Samer

Thanks Nabila,  Great show as usual. I was glad to attend and be a part (albeit small) of it. This concert is phenomenal in that it’s a rare presentation of authentic Arab culture, a show of its richness, beauty and diversity. I feel both pleased and proud when I attend every year as I’m sure the audience do. thank you. See you soon.
-Wael elbhassi

Salaamaat min Botswana:  Madeleine, my two daughters and my grandson attended the concert and told me they were ABSOLUTELY THRILLED with a fantastic and exhilarating experience. I am sorry I missed out. Congratulations!
-Antoine

Dear Nabila,  We wanted to let you know how much we enjoyed the past Saturday’s Aswat concert.  The music was exceptional and a lot of fun.  This is the first time we have attended an Arabic music concert and we were very impressed and would like to thank you for starting this organization. -Jumana and Shabbir Latif

Salaam Nabila, hope you are doing well! btw you and the volunteers did a FANTASTIC job on the aswat concert the other night. my wife and i really enjoyed it!!! we had a really nice time and I’m glad that i was able to meet br. sary while he was visiting us. he’s such a lovely man. see you soon! -yusuf

Dear Haya,  It is us who should be thanking you for your great organization, keen sense of detail, sweet kindness, and heartfelt giving. As the director said, your gentle touch was very much present at all times.  Thanks for allowing me to help, even in a minuscule way. Thank you for your leadership and acknowledgment. We are definitely blessed to be around you!
 Best regards, -Amira Abedrabbo

The event was lots of fun, congratulations for a great event.  We may even need a bigger venue next time, I’m planning to bring all my friends in the future.
Good luck,
-Rasha Dessouki (Bay area arabic school gift coordinator)

I would like to recognize and congratulate the show that ASWAT performed on Saturday! Wow it was very well done, lively, upbeat, sold out and all the audience liked it with standing ovation! This was my 2nd time, and it’s nice to see this young group evolve to be a well-credited professional musical group! Great job! looking forward when the CD is up; (Or when it’s posted free on youtube for a wider reach!!). It was also enchanting to see the community of the Bay Area. A lot of thanks went to Nabila Mango, the “driving force” as she was described. Bravo!
-Mohamad

Hi Nabila, First of all, thank you for inviting us as your guests. We are honored by this. As I said to you at your home,  – I was amazed.  The community ensemble effort is large, complex and difficult — as you know — but you and all the others have pulled it off in a great way.  At this special time — after Gaza — and even in this generally difficult time for the Arab people and culture, this concert means so much on so many levels. Watching non-Arabs and Arabs come together to learn and present the very difficult material and music that was selected — was joyful.  Your continuing perseverance to find grants and bring a guest conductor who obviously pulled the ensemble together in his way is to be noted and appreciated…. The youth presentations were strong and powerful. The dedication to the Gazan children brought us both to tears.  Both of us, as musicians in our childhood,  know the importance of music in our lives, of public performances and the significance of these unforgettable moments.  I can guarantee you, the youth presentations will be indelible in our  memories–as well as those of many others who were in attendance and most certainly the children themselves.
Dr. Sary is very talented, dedicated, sincere and has a wonderful conducting style — a strong leader.  It is very challenging to work with amateurs (using the elevated definition and Latin root of the word:  love) but such great fulfillment comes from it — and his message was that — fulfillment.  How great that you could bring him here to give ASWAT another experience with another conductor!!   Please receive these comments in the most positive way as  Georges and I both enjoyed Saturday night’s concert  thoroughly!!
The audience enjoyed it — and we enjoyed the audience (!) — both as observers within it and being part of FULL HOUSE of very attentive listeners.   We applaud your efforts and your continuing success with Aswat and Zawaya.
 The Arab culture is rich, complex and beautiful — your work makes a difference in the American landscape….we are all learning!!!   Again, many thanks, Nabila and for the lovely “after party” — we were so happy to be among so many of our old friends and colleagues.
 Sincerely,
-Jeanette & Georges Lammam

 Nabila, Nabila, Nabila!!
What a night and what a woman you are to have done all of this over the years. Claudia told me about your idea and your struggle over the years to get volunteers. Amazing! You are truly an inspiration and a source of pride for your friends and your community. You have created such a cultural cross-ver, one of kinship and cooperation. What a coup in getting the grant for the maestro to come from Egypt; he was amazing. The entire group sounded very professional. Also, the children were so cute and talented. And the Persian musician playing the santour was a special treat for me. I certainly look forward to your collaboration with him for the concert of classical Persian and Arab music; for that you’ll need a space twice the size of the Skyline venue as the Persian community is very large, as you know, and I will help get the word out.Overall–an enjoyable and inspiring evening.
Thanks so much.
-Michele


Music From Aswat 2009 Winter Concert Part 2


Ya Asmar il- lon

Ya Asmar il- lon arranged by Sari Dowidar. Maqams Naha- wand dokah, Rast dokah.

Asmar Al loon
(The Brown colored beloved
)

O you tan skinned lover,
O my sweet brown one.
O my darling Leila,
I’m tired of being tossed around.
My eyes are full of tears and sadness,
and I’m afraid to talk about my longing for you,
for someone may prevent us from being together

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Rubbama / Unadikum featuring Yasmeen Daifallah

Rubbama Lyrics by the Palestinian poet Samih al-Qasem, composed by Ziad Butros for his sister, the singer Julia Butros. Unadikum Lyrics by Palestinian poet Tawfiq Zayyad, composed by Ahmed Kaabour, featuring Yasmeen Daifallah.
Yasmeen Daifallah is from Egypt and is currently writing her doctoral dissertation in Political Theory , UC Berkeley.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Tayr al-Wirwar featuring Rana Mroue

Tayr al-Wirwar composed by Rahbani Brothers for Fairuz. Maqam ‘ajamdo, featuring Rana Mroue.
Rana Mroue is from Lebanon and is currently writing her doctoral dissertation in Molecular Biology , UC Berkeley.

Tayr al wirwar
[The Bee Eater (bird)]

Dear Bee Eater, pass by the loved ones, give them my regards and let me know how they fare.
On the hills of the forgotten sun and the yellow Sycamore leaves,
we fly and arise slowly until the world becomes smaller.
In the fig orchards, November calls.
Often in the silence of the moon, I hear your voice calling me,
I fear my parent may awake one night and the secrets sadly wear out.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Mohammed Fawzi Medley

Mohammed Fawzi Medley composed by Muhammad Fawzi (1918-1966).
Maqams: Hijaz dokah, Nahawand dokah, Rast Nawa.
Arranged by Sari Dowidar.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Ulli a’mallak ayh albi featuring Husain Resan

Ulli a’mallak ayh albi composed by Muhammed Abd el-Wahab (1907-1991).
Maqam Huzam featuring Husain Resan.

Husain Resan – Born in Iraq, Husain Resan is a composer, musician and a singer. He studied ‘oud at age 14 in Bayt al-Fann in Baghdad and joined its music ensemble at age 16. In the US, he studied violin at City College. Husain plays ‘oud, violin, and bass, he sings and is presenting his first composition tonight “Wajhun min al-Madi”.

Ulli A’mallak Ayh albi
(Tell me what my heart did to you)

Tell me what my heart did to you.
My heart that you are ignoring.
Tell me who I should bring to read my thoughts to you,
and who would listen to my words,my passion, and my love.
Where were you hiding all this indifference?
Could you tell me what’s wrong between us?

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Santour Solo featuring Mohammed Nejad

Mohammad Nejad, a Persian-born master multi-instrumentalist, was born to a musical family in Tehran, Iran. As a young child, Persian classical music was passed down to him from his father. In Tehran he attended a special high school for musicians, later graduating from Fine Arts Academy in 1976, and in 1990 received a Bachelors of Fine Arts Musicianship and Performance from Tehran University, proficient in both the Western and Persian musical systems. While studying toward the completion of his degree, he was blessed with having master teachers of Persian classical music including Ostad Roushanravan, Ostad Sinaki, Ostad Jankook, Ostad Paayvar, Ostad Tavakol, Ostad Tahmasebiyan, Ostad Moosavi, Ostad Khoshdel and Ostad Baharlou.

He performs regularly with the acclaimed Bay area Central Asian dance company Ballet Afsaneh. He collaborates with many other musicians and ensembles. He has performed throughout Asia, Europe, and the United States, including most campuses of the University of California, the Palace of Fine Arts and the Ethnic Dance Festival in San Francisco, and the San Jose Center for the Performing Arts. He teaches privately and through workshops.

Here he established the Nejad World Music Center, to teach youth and adults in the community and bring world artists to the United States for collaboration and performance.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Bil-Ladhi Askara featuring Sarah Michael

Bil-Ladhi Askara a muwashshah of an unknown composer on ¾ beat. Maqam Bayati dokah. Arrangement by Sari Dowidar. Taqsim on cello by Sarah Michael.

Bil-Ladhi Askara
The nights concealed the secret of our passion.
Their darkness could have hidden us forever, but for the
sunlight of new days, when our lucky star fell straight down
with a good omen for a brighter day.

The scent and the tan of your lips sipping from goblets, your
dark and beautiful eyelids, and your teeth like pearls made
magic bow and get closer to your beauty.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Al Hubb Al- Awwal featuring Rima Ayyash

Al Hubb Al-Awwal composed by Muhammad Abd el-Wahab (1907-1991). Maqam ‘ajamdo. Taqsim on the violin by Rima Ayyash.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD.


Adduka Al Mayyas featuring Bashar Kellow

Adduka Al Mayyas Qad Halabi of a Turkish folk song on 4/4 beat. Maqam Hijaz Dokah. Music and choral arrangement by Sari Dowidar, featuring Barney Jones, Taqsim on ‘oud by Bashar Kellow.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD


Risalah min taht il-maa featuring Marwan Mero

Risalah min taht il-maa’ composed by Mohammad al Mawgi (1923-1995) for Abdel Halim Hafez (1929-1977). Maqam ‘ajam solo, featuring Marwan Mero.

Marwan Mero

Marwan Mero

Marwan Mero is from Saudi Arabia . He graduated recently from San Francisco State University in Business Administration.

From the Aswat Ensemble 2009 Winter Concert, now available on DVD